They hide these things in fiction, I suspect, because it allows them plausible deniability. They can always assert that whom ever is doing the accusing, is just some crazy who saw a movie or show and came up with the 'conspiracy theory.' I have viewed many projects revealed or hinted in media. The Looking Glass project is one such example.
Elysium – ‘Life after Death’ in the New World Order
The latest movie by Neill Blomkamp is everything you would expect from the predictive ‘programming unit’ called Hollywood. It’s another summer blockbuster, with its symbolic references to ‘Star-ship Empires’ built for an 'elite' in the ‘not so futuristic’ technological police state that awaits humanity. A future that is fast moving towards us unless we wake up? I am going to weave together several themes and connections that look at 'Elysium on Earth' and for those who read my blog, you will know that the theme of world ‘Havens’ for a future 'elite' is a common one that crops up in other movies a lot over the years. See the recent movie Oblivion for starters. What are they ‘preparing’ us for eh?
Elysium - the place of the dead
The Greco-Roman Heaven called ‘Elysium’ was often referred to as the place at the ‘ends of the Earth’, a place where ‘heroes’ were conveyed by the gods after death. Elysium is the home of the god EL for more information see my review of El -Superman - Man of Steel movie article. In this review I have italicise El so to reinforce this connection to Saturn and the El-ite.
Elysium was said in myths to be a place or ’state’ of perfect happiness a heaven that awaited those that served their gods, and men/woman alike, through heroic acts and gestures, would have a place in Elysium. The main character in the movieElysium, called Max de Costa (played by Matt Damon) is certainly shown to be a ‘hero figure’ and ‘redeemer’ as I will look at later. The movie shows de Costa as a little boy (below) throughout the story remembering his childhood and desires for getting to the Elysium. It’s a giant ‘wagon wheel’ in the sky for this small lad. On second thoughts it looks like a ‘Space Invader’ crisp (snack-chip) from the 70’s. Enough on snacks Neil and back to the movie…
|Dante and Beatrice gaze upon the highest heavens; from Gustave Doré's illustrations to the Divine Comedy (left). Just as little Max Gazes upon Elysium in the movie|
Damon seems to play a lot of roles that depict ‘supreme soldiers (agents) or fighting machines’ capable of wreaking havoc ‘from within’ the El-ite intelligence networks, and this movie doesn’t disappoint in that way. See the Bourne Trilogymovies. In Elysium Damon becomes a ‘hybrid fighting’ machine that continues this theme with the usual vigour. He is the 'futuristic hero warrior' that goes through 'trans-human' transformation (often near death) and awaits his heaven, like all the other heroes before him.
The famous scene from the movie Gladiator (starring Russell Crowe above) offers us the connection to the Elysium fields, the place of the dead he visits in his dreams as he lays dying after defeating the psychopath Caeser in the end scene of that Ridley Scott movie.
He says to his Roman legions in Gladiator:
"Stay with me! If you find yourself alone, riding in the green fields with the sun on your face, do not be troubled. For you are in Elysium, and you're already dead!"
And we have of course, ‘psychopath leaders’ (already dead) in Elysium too, as we shall see. The ‘old order’ and the ‘new order’ are but one and the same.
Elysium or the Elysian Fields also written as (sion pedÌon) was another term for the ‘after life’ created out of the beliefs and secret societies of ancient Greece. The Roman belief in Elysium would also follow suit. The ‘star’ or ‘Sun’ (Sion) connection is obvious for those who have studied symbolism and Elysium is both a star and a wheel. The El-ite bloodlines have been documented in many books over the past 20 years or so show the lucid connections to Sion, Jerusalem and the DNA of the El-ite. Again in the movie Elysium we see how the El-ite are genetically selected to look down on Earth’s population from their heavenly abode.
From Kin (King)-ship to 'Spaceship' and the obvious symbolic connections to the ruling bloodlines living in their heightened ‘State’, in the film, is much deeper than we first glance. Sion (Zion) Symbolism also relates to the Holy Blood (Sangreal) ‘legends’ and the Bloodline genetics of the El-ite. Therefore in Elysium, it is those selected by blood (DNA) that can live there.
Saturn (EL) or Cronos was also the God of ‘time’ and often depicted in Roman and Greek art within the ‘circle of time’ – the loop of time. In another form he is also the god Mithras who was often depicted encircled by the loop of time.
The cross (cube) and ‘Circle’ combined in one image is embodied in the ‘Celtic Cross’ (below) and the Symbol of the Priory of Sion (Sun-Saturn) below right. Alpha and Omega in this symbol again relates to Elysium myths and the 'beginning and the end' as one state. See this website.
|Various Sun (Sion) cross, star wheels. Cronos encircled above right and the Merovingian emblem bottom right.|
In Greek and Roman mythology Elysium was separate from the realm of Hades (the underworld), and admission was initially reserved for heroes and mortals ’related to the gods’. As I have already said, in the movie of course the Elysium space station is a ‘First class carriage’, the ‘Premiere league’ abode for those that have been ‘genetically selected’ to live there, while the rest of the Earth’s population lives in squalor and pandemonium. On that note we do love our class 'ranking' systems on Earth, don't we? Its in our genes me thinks. From Caste systems to seats on flights, we just love a 'star rating'.
We have countries on Earth now today that are living examples of this squalor and segregation as I‘ll get to shortly. Genetics are a huge key to the future of Earth’s population and this movie blatantly is telling us that only the ‘select’ genetics will reach Elysium – the New World. Interestingly, one of the 2012 London Olympic symbols was the ‘DNA Ring’ (below right) and DNA is a ‘material object’ to the El-ite, due to its power to transform reality. The DNA database is a weapon for those wishing to change the biological composition of the Earth, and with it, bring about a very different world. Look around, it its glaringly obvious that our world is slowly being moved towards an Elysium style future existence. With the plot of the movie in mind, the human population, I would suggest, is being ‘lured into a final alchemical transformation’, promising the secrets of the universe and the ‘extension of life’ through the ‘trans-humanist’ agenda, which many have been exposing in recent years.
|Elysium the home of those with the 'chosen DNA'.|
The Elysian Fields in the Sky
The Elysian Fields were, according to the Greek poet Homer, located on the western edge of the Earth by the ‘stream’ of Okeanos. In the time of the Greek poet Hesiod, Elysium, would also be known as the ‘Fortunate Isles’ or ‘the Isles’ (or Islands) of the ‘Blessed’, located in the western ocean at the end of the earth.
In Western art, Elysium was a favourite subject for the pre-Raphaelite painters and symbolists that of course massively connected to the El-ite ‘circles’ of the 18th and 19th Century Britain. The Waters of Lethe by the Plains of Elysium by John Spencer Stanhope (below right), is but one example. John Roddam Spencer Stanhope (20 January 1829 - 2 August 1908) was an English artist associated with Edward Burne-Jones and George Frederic Watts and what is often regarded as the second-wave pre-Raphaelite movement in art history.
|Left: Goethe's Ankunft im Elysium by Franz Nadorp. Right: Lethe by the Plains of Elysium by John Spencer Stanhope|
Along with Henry Wentworth Monk and the likes of John Ruskin (Royal Academy – Order of St George), the Pre-Raphaelite ‘brotherhood’ we’re deeply connected to the Zionist (Sionist) movement of that era. And Zion of course is symbolic of that holy place (Haven or home land) that the ‘chosen few’ would return to, to be protected by and of course defend from outside threats. Call it the ‘build a great wall syndrome’ if you like, to keep the 'unclean out'.
See also Z(s)ion in The Matrix movies (located inside the Earth) and of course the ‘time loop’ Star Station in Elysium (located outside of the Earth), its all the same thing.
|Left: Zion in The Matrix, Right: Elysium in Elysium|
In the movie, Elysium is positioned ‘outside the earth’ physically and from the ‘earth perspective’ it ‘is an oasis in space, looked upon by humans on earth as ‘the ultimate dream home in the heavens’. I suppose it would be if all around you is death, disease and degradation? In the movie it said to be home to a half-million ‘ultra-wealthy (El-ite) citizens’ (the chosen ones) contained in architectural vistas over 37.2 miles (60 kilometers) in diameter and 1.86 miles (3 km) wide (see below).
|If only Centre Parks was this good?|
In several scenes it looks like how our Moon would look ‘viewed from space’ (along side the Earth), and interestingly we do not see any shots of the Moon in the movie, because the Moon is the ultimate Elysium for the El-ite currently on Earth. More on the Moon as an 'artificial' satellite in books such as Human Race Get off Your Knees and Who Built the Moon, to name but a few.
Space Colonies - Nothing New there.
NASA and Hollywood combined has given us many examples of Space stations occupied by humans, too many to go into in this review.
The first release movie poster for Space Odyssey 2001 by the now deceased ‘insider’ filmmaker, Stanley Kubrick, featured a space shuttle departing a rotating space station. Artist Chesley Bonestell's depiction of a rotating station in Earth orbit appeared in Colliers Magazine in the spring of 1952 offering similar themes. In the 1970s, NASA scientists studied the possibilities of building giant communities in space, and one of NASA’s summer study program at Stanford University in 1975 became known as Island Two and would have housed 10,000 people in comfort.
Coincidentally, physicist Stephen Hawking speaking to a group of nurses and doctors in Los Angeles recently was quoted in the Press, as saying, “ ... he did not think humans would survive another 1,000 years without escaping beyond our fragile planet.” And, to “Look up at the stars and not down at your feet.” I’d prefer to sort Earth out myself, not move off planet thanks.
Earth at the mercy of the Elysium El-ite
Elysium is set in the year 2154, and ‘wheel (eye) in the sky’ is a governed by President Patel (actor Faran Tahir), in a typically utopian setting which includes access to private medical machines that offer instant cures, while everyone else lives below on the overpopulated, disease-ridden, ruined ‘Third World slum’ that Earth has become.
|Earth's Third World Slum - 2154|
Time and time again we see a future Earth depicted as a dead zone peopled by the ‘unwanted’, humans all fighting for what little resources are left on the surface world. The symbolism is perfect in terms of its connections to the Saturn Cult and the themes that relate to the God of Death (EL) reigning over a ravished surface world. It is El’s dominion, El or Hell, and in Elysuim we are shown a clear future vision of 'Hell on Earth'.
|EL - the God of death|
In the movie, those who maintain Elysium will stop at nothing to enforce ‘anti-immigration laws’, execute ‘untagged’ ‘unclean’ civilians (from their self-righteous perspective) and preserve their chosen citizens' lifestyle - even destroying ‘ships’ that attempt to fly to Elysium. Sounds like a few States on Earth today eh? Just look at these pictures of Gaza, Syria, etc, and tell me that they don’t look any different to such futuristic movie themes. The Power mad, crazy El-ite are gradually turning our world into the places we see in the movies year after year. why? Simple answer, 'because the El-ites' masters' are straight out of Hell! See my other articles for more on these entities.
|Homs, Syria - How beautiful (sic) it now looks since the 'god of death' came to town?|
|The movie and reality. Left: A future Los Angeles in Elysium. Right: Gaza. The work of those that love 'death'.|
Greek mythology sometimes differs in the detail, but where Homer in Odyssey talks of the ‘fair-haired’ wise King Rhadamanthus (the son of Zeus and Europa) dwelling in Elysium, other writers like ‘Pindar’ and Hesiod, say it was Cronos (the ‘cold hearted’) who ruled over Elysium.
The El-ite are very much cold hearted and superficial in the movie. The CEO of Armadyne, John Carlyle (above), played by William Fichtner is the rare Elysium citizen who's obligated to spend time on Earth. With branch offices and facilities in London, Paris, Madrid, Rome, Moscow, Sydney, Tokyo, Seoul, and Mexico City, Armadyne is not only one of the planet's biggest and most valuable Elysium contractors, but also the company responsible for ‘building it’. It’s the World Government military/industrial construction arm by another name.
Black is Saturn’s colour and both white and black are the colours worn by theElysium elite in the movie and both colours are used in the duality of Saturn worship. Of course Red is another colour that is connected to Saturn and the blood that is spilled in the name of Cronos and the El-ite robot force are black and red in the movie (above right).
The actress Jodie Foster plays the Archon-like cold hearted ‘Secretary of Homeland Security’, Delacourt Rhodes (below), who doesn’t give a second thought to ordering the deaths of humans in Los Angeles that are seeking a way out of what looks like an 'open air concentration camp' on Earth. In one later scene she passes an executive order (a coup d'etat) to remove the current president, and behind her on the screen is a red inverted Elysium star (pentagram).
None of this is a coincidence and these types of movies a ‘programming’ us to accept this type of 'reality' of squalor, war torn dead zones and devastated cities as a viable future on Earth. See the movie synopsis here:
In Mexico City, in Johannesburg, in Rio you have pockets of great wealth, gated communities, amidst a sea of poverty. And I think that's where the major cities of the US are going to end up, too, unless Americans wake up to what is actually happening. Neill Blomkamp said,
"I tend to think a lot about the topic of wealth discrepancy, I think the further we go down the path that we are on, the more the world will represent the one in 'Elysium'.”
I think he knows something?
I’ve seen on some internet reviews that the director Blomkamp (who grew up in South Africa during the fall of the white supremacist regime) has another movie line up called Chappie, which was supposedly based on a 2004 short film by himself titled Tetra Vaal, which is a fake advertisement for robots designed to ‘police the slums’. Basically it’s is other movie District 9 (based in South Africa) with robots controlling human slums instead of humans controlling alien slums.
It’s no coincidence that the forces that ‘dream of installing a vicious police state’ while hiding behind a sense of superiority that needs protecting at all costs (visible in our world today), and the way the Elysium EL-ite perceive immigrant humans in the movie, are basically the same mind set - the same mentality. Its what the El-ite on Earth have planned for the next generations, if they get their way. The Agenda does include a Robot police force, a vicious Police State that will administer these dead city zones and movies like the Hunger Games, are only the beginning of something terrible, unless we start to ‘see the world’ in a very different light. Like I said above too many scenes in the movie made me think of the current suffering in parts of the world, (not least Gaza in Palestine) whose population has been systemically treated like ‘lesser beings’ by the political state of IsraEL and the robot-like military that does their bidding.
|Left: 21st Century. Right: 22nd Century|
2150’s - The Saturn Era (Its all in the Movies you know)
Elysium occurs in the year 2154 AD, which is the exact same year that the Avatarmovie (2009) takes place in. The dates come up in the Dr Who series too with theDaleks' Invasion Earth: 2150 A.D, which was a film adaptation of the second Dr WhoTV story to feature the Daleks. Also, in the movie Global Agenda the year 2155 is the focus, and depicts the Commonwealth, an oppressive world government, which is determined to control the entire planet. Syfy's Mission Genesis TV programme is set in 2157, based on ‘Deepwater Black’ (heard that name before?) a 1995 novel, first in the Deepwater trilogy, by the New Zealand science fiction writer Ken Catran, where a cast of young characters are supposedly stranded in space while a virus ravages Earth. Zombies, viruses, a ruined earth, its all in the scripts folks. The world according to the sick of heart and mind, is supposed to be a very different Earth in the 22nd Century.
Cronos - Wheel’s, Eyes’ and Stars
The connections to Saturn, Elysium and the empires that ‘believed in such a place’, can be clearly seen in the ‘father god’ of historical tyrannies called Rome.
Rome was called Saturnalia and ‘Saturn’ was considered the God of the Golden Age on Earth. Cronos (Saturn) was also the Roman god of time, the ‘wheel’ and many images show Cronos encircled by the wheel of time, as mentioned earlier. According to the Opus Magnum (The Great Work of Ages), in alchemy, It’s goal is to ‘restore’ Cronos to his paradise state and this is what Elysium symbolises - the 'new Cronos', the new paradise or ‘star wheel’ in the sky.
|Elysium rising over the Earth|
The Symbolism of the wheel in ‘alchemy’ also relates to the 'beginning and the end', 'life and death', a place where the centre is neither living nor dead. The wheel is also the holy of holies in Jewish belief, which attracts the number seven to it numerologically. In symbolic theme only, the 'star wheel' it is not too distant form the 'menorah', a seven-branched candelabrum used in the Jewish Temple. Lighting the tree at Saturnalia (Christmas), lighting the candles on the menorah, placing the ‘star’ on the tree are all symbolic of the ‘new light’, the new Cronos. According to Jewish belief the light from the menorah is not a violent force; One text reads;
Israel is to accomplish its mission by setting an example, not by using force, highlighted in the Zechariah 4:1-6. Zechariah ‘sees a menorah’, and God explains: "Not by might, nor by power, but by my spirit."
Looks like that was all forgotten along with ‘Thou shall not kill’?
The Elysium star wheel also shows a five-pointed star (a pentastar) and the 2 circles that encircle it equate to the number seven (5 points and 2 circles = 7). And seven was the number associated with ‘heaven on earth’. The connections to the five-pointed Star (Pentagram) from a metaphysical perspective of course is a common ‘occult symbol’ but, visionaries and alchemist considered the ‘star wheel’ to be a symbol of the time of Eden, the place ‘before the Fall’ and therefore Elysium is/was the ‘Garden of Eden’. The movie certainly depicts this Eden-like place for the ‘chosen ones’ that inhabit its ‘Chrysler-like logo’ space station. Incidentally, the Chrysler company, founded by Walter Percy Chrysler, who was a huge Freemason, (weren’t they all?) and from a powerful El-ite family connected to Europe, (not least Germany). They sold cars (Valiant, Plymouth, Dodge, Chrysler, Imperial, Hillman, Sunbeam, Singer, Humber, Simca), trucks, industrial and marine engines, boats, army tanks, air conditioners, heating systems, chemicals, plastics, missiles, electronics, and financial products. Chrysler, along with Fiat (Agnelli family), which now owns most of Chrysler, all have a history of being connected to the El-ite circles. Along with the subtle Mercedes connection to the star wheel, it's clear that the ‘Armadyne Corporation’ in the movie, is merely a futuristic amalgamation of the 20th Century industrial giants, like the car companies in league with the military (Pentagon), etc.
'High 5' and '7'
The Magic and symbolism relating to the pentagram can be found in numerous sources form Freemasonry (see above) to alchemy (same thing at the highest levels). Number symbolism is all over antiquity and the geometric symbols of five are, of course, the pentagram and pentagon. As with the El-ite Pythagoreans (pythons), the pentagram was a symbol of recognition for certain secret societies, such as the Freemason’s ‘Flaming Star’ and was supposedly on shield of Sir Gawain, one of the Arthurian Grail (bloodline) Knights. The classic symbol is that of man as Microcosmos by Agrippa (below left) and of course that Sion Master of art, Da Vinci’s Vitruvian Man – the Divine ‘hu-man’ or ‘light-man’. Elysium is therefore the place for the divine human, the chosen ones. The apple (knowledge) so famous in the Garden of Eden is also a pentagram at its core. Knowledge is ‘neutral’ its how it is used.
|The human form divine & the Garden of Eden|
In occult language the ‘pensu’ was the Etruscan form of the 'Pali panca', the Sanscrit pânch, or the Bengali pânch, and the Greek penta, i.e., five. And five, certainly, would be an appropriate word for the pentangle and is the metaphysical connection to the Elements on Earth (above right). We also have the knowledge that connects to the ‘flower of life’ (new life) and from this the foundations for building new life or a ‘new natural order’ or 'acts of creation'. Just as Eden was lost to a 'new Earth ordered by God, (EL) in biblical legends; in the movie, Elysium is the ‘New World Order’ that is created by those ‘playing God’, being selective about who has the right to ‘life’ there.
The Eastern Star
The Order of the Eastern Star is a Freemasonic ‘fraternal’ organization open to both men and women, which supposedly has the likes of Madonna in its ranks (so they say)? It was established in 1850 by Boston, Massachusetts, lawyer and educator Rob Morris, a former Freemason official. The order is based on teachings from the Bible (see above) and the occult artist, and Elite connected ‘Eliphas Levi’ (Alphonse Louis) was its main protagonist. He had a deep impact on the magic of the Hermetic Order of the Golden Dawn and later on the ex-Golden Dawn member we all know as Aleister Crowley.
|Elysium seen from another angle. Left: Eastern Star Lodge. Middle; the sigil of Eliphas Levi and the classic inverted pentagram inside the wheel (ouroboros)|
He was also the first to declare that a ‘pentagram’ or five-pointed star with one point down and two points up represents evil (oh what a surprise alphonse?), while a pentagram with one point up and two points down represents good… He would know!
Robots rule - DARPA (what again?)
Early in the movie Max Da Costa has to attend a parole interview where he sits in front of a literal robot ‘officer’ to discuss his parole history. What struck me visually about this scene was how telling it was with regards to what I’ve experienced in many ‘official interviews’, ‘job centre reviews’, general ‘civil office’ encounters and the usual council bureaucracy. We already have ‘robot phone calls’ and in some cases ‘robot humans’ in uniforms, but the ‘clown like’ robot officer could well be a reality in years to come. Robots running the show and robots policing those humans (like D Costa in the movie) that step out of line in the ‘New World Order’, isn’t far off.
|Job Centre plus in the 22nd Century|
After a serious industrial accident leaves him dying of radiation poisoning, 36-year-old military factory-worker and ex-con Max has only five days to get from Los Angeles to Elysium in order to be cured. Max interestingly is helping to 'make the very robots' that are policing the masses and like Jesus in Martin Scorsese's Last Temptation of Christ, (who is making crosses for the Romans), Max’s fate is that of a Jesus-like hero that will sacrifice himself for mankind.
After falling into the hands of the criminal underworld he is already connected to, Max is fitted with a 'powerful exoskeleton' and attempts to kidnap John Carlyle in order to steal his identity and hijack his way into the El-ite database of Elysium.
|Max - the trans-human warrior|
The emphasis on micro-chipping and ID tattooing (branding) in the film is part of the agenda too. Motorola announced in May 2013 that the use of Electronic tattoos (below) could be used instead of PIN numbers and passwords for websites and other mobile technology. In the movie humans are branded so to give them clearance forElysium and allows them to function in the New World Order. No chip, electronic Tattoo, etc - your not a human in the new world – get it?
|The Mark of the Beast|
The Hero Returns
Max now a fully functioning part-man, part-machine pits himself against Elysium's Secretary of Homeland Security Delacourt Rhodes (Jodie Foster) and her violent secret police forces, led by Agent Kruger, played by Sharlto Copley (below). Max also rescues his childhood friend (love) Freya played by Alice Braga from the psychopathic Kruger, along with Freya’s daughter Matlida (Emma Tremblay) who is suffering from Leukemia. Both Max and Matilda seriously needs access to the advanced healing technology on Elysium. Only the 'real healing’ technology (cures for cancer anyone) are available for the El-ite, up in the star wheel. Death is the prime ruler of Earth under the watch full eye of Elysium and therefore the rest of the global population are left to keep using Big Pharma’s arsenal of ‘body-destroying weapons’.
The use of Saucer ’drones’, robot troops and taser technology is awash in this film. The movie I Robot depicts a corporate robot army ‘installed’ to initially help humanity in 2035, but of course, these robots were placed there to be turned ‘against humanity’ once the population had bought the propaganda… sound familiar? The I robot scenario is closer than we dare to realise.
With Elysium, It was as if DARPA had allowed the filmmakers into the secret armoury to have a play? The exoskeleton, most notably, is more primitive than what’s already available, and the robot military police look alarmingly like the ones that exist today.
|What the public are 'allowed to see'|
|Basic Exoskeleton in use today, what on Earth will it be like in the future?|
How much longer will it take for folk to realise that the future is already here. We can only change the future projection by engaging in the present agenda effectively.
As I say, Drones patrol the skies, rail guns cut men to ribbons, robots enforce order, bullets seek their targets and exoskeletons confer superhuman strength and agility. Welcome to the future folks.
I-pads, tablets, smart phones, laptops tasers, we have em all and like I’ve said many times before, its only the beginning for those that can wipe the sleep from their prophetic eyes.
|The gang lord Spider at work|
In the end Max finds himself on board Kruger's shuttle and forces it to crash land into Elysium. From then onwards a huge battle ensures between a power mad Kruger and the saviour sent to free Earths population by 'downloading the data' in his newly created CPU (his chipped Brain) by plugging into the main frame ofElysium. Helped by the LA underworld and led by a Gang Lord called Spider, played by Wagner Moura (above), they manage to re-boot the computer that controlsElysium and give back to humanity their ‘identity’ has rightful 'new' citizens of both Earth and Elysium.
The data-knowledge at the core of Elysium is wiped and ‘re-installed’, so to welcome all those that had originally being 'denied sovereignty' and 'access to the technology' that Elysium harboured. As Krishnamurti once said, “ The end of knowledge is the beginning of wisdom”, and this symbolically is shown at the end of the movie when a robot ‘refuses’ to arrest the now newly 'installed humans' toElysium. No more separation - the people of Earth are one again. The ‘re-booting’ of Elysiums’ 'main frame' (the Zion mainframe) ‘the people’ are granted supplies, food, healing (medical units that can cure anything at atomic cellular level). All are dispatched to Earth for those that were in need of healing. Health Care plans not required!
The message in the movie on one level is saying, For the El-ite of Earth and the ‘self righteous States’ (and so-called Democratic ‘regimes’) that support segregation and injustice all over the planet - something greater than Elysium is coming to this world. Its called the Truth.
As Albert Einstein said:
"In matters of truth and justice, there is no difference between large and small problems, for issues concerning the treatment of people are all the same."
Until next time
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